I won’t lie to you; I don’t really like rain. Or maybe that is an understatement. I don’t like the rain at all, as necessary as it is. I know it sounds blasphemous to say still so early in “summer” but I would trade the rain for snow any day, although I am sure the rest of Alberta might have something different to say about it. All this rain has however been a good motivator to get photo editing done from my residencies earlier this year. Photo editing and reminiscing.
With the help of my awesome friend and computer guru Danna Lei (seriously: I cannot thank you enough for your expert level computer-ing), I have finally finished the documentation of Distance Measured by Time, Time Measured by Distance. This is a piece that I worked on throughout the entire residency period at Listhus in Iceland. It consisted of 27 slip cast plaster lamb hearts, each with a love letter rolled up inside. Every morning I would write a letter, cast a heart and hang it on the wall. At the end of the residency I took every plaster ‘message in a bottle’ and let them out to sea knowing fully that the plaster would disintegrate, the paper would deteriorate and the messages would never be delivered. The video and photographs exist as documentation of the 27 day performance. Big thank you to Hólmfríður Arngrímsdóttir for the materials and studio time for this project!
I worked quite a bit with lamb hearts and mold making while I was in Iceland for conceptual and aesthetic reasons (and maybe because I just really like touching raw hearts). Anatomical hearts, specifically lamb and pig, are a reoccurring theme in some of my glass work and an interest I will definitely pursue further. For the performance Salt, I cast hearts of ice with a fishing hook frozen into them. I took my rod, hook and ‘bait’ and climbed to some secluded cliffs where I went fishing. The performance lasted as long as the ice did. Eventually the heart of ice was melted by the cold sea water, exposing the bare hook in the hopes of catching something. The video (coming soon to a computer near you!) acts as documentation of the performance, with sound editing by Bethany Younge.
In the hopes of keeping this post at a reasonable length (who am I kidding, I’m sure it’s reading as “art art art, blah ,art...), the last piece I will post is DIY Guide to Being Here. It involved northern lights projected through colored filters along the wall of the gallery with a horizontal wire sculpture below. Viewers were invited to interact with and create the piece by using hiking poles with flashlights that would project mountains onto the wall through the wire below.
I have a few more ongoing projects that I will post next time, along with my work from Finland. Here is some gloomy day music to groove to in the mean time. Thanks for having a look and a read and I hope to see you down at Studio Phi this Friday for the Black & White show. There will be a sweetC design original in the show, come in and say hi!